Berkeley
Jazz Houses
1950s & '60s
There were several so-called "Jazz houses" in Berkeley
where East Bay musicians partied and jammed
Rare recordings and recollections recall the excellence and effervescence of these events
Photo: East Bay gathering, early 1950s, location unknown
Standing L to R: Bill Erickson, Bob Mielke, Lee Howe. Bill Napier, kneeling
Mielke collection
Oxtot's Dwight Way home
The Dwight Way home of Dick Oxtot and his wife Darylene was one of several so-called "Jazz houses" in Berkeley where East Bay musicians partied and jammed.
This tape from Oxtot's personal collection is contemporaneous with Oxtot's Janis Joplin sessions. In fact it's from a reel containing her tracks.
Photo: Oxtot playing cornet with Mielke's Bearcats, East Bay, late-1950s
Oxtot collection
New 9.2015
ARCHIVE MUSIC
Recorded at the Berkeley home of Dick Oxtot, c. 1962
Labeled only "Dwight Way" this tape lacked other
documentation. Personnel was fluid in Dick Oxtot's bands and is an educated guess for session #1. However, the presence of Goudie, Leigh and Erickson is confirmed.
Dwight Way session #2
Unknown (cornet)
<I>Frank Goudie</I> (or Bill Napier) clarinet
Jim Leigh (trombone)
<I>Bill Erickson</I> (piano)
<I>Dick Oxtot</I> (banjo)
Walter Yost (tuba) or
Unknown string bass, possibly Pete Allen
Don Marchant (drums)
Bugle Boy March.mp3 7:55
Gee, Baby Ain’t I Good to You?.mp3 8:35
I Want a Little Girl.mp3 7:01
(Oxtot vocal; probably Erickson trumpet first chorus.)
Smiles.mp3 6:11 (inc at start)
Dwight Way session #1
Probably:
Unknown (cornet)
Earl Scheelar or Bill Napier (clarinet)
Jim Leigh (trombone)
Dick Oxtot (banjo)
Bill Erickson (piano)
Walter Yost (tuba) or
Unknown string bass, possibly Pete Allen
The Gold Digger’s Song (We’re in the Money).mp3 5:46
(trombone out, Napier clarinet?)
Should I Reveal?.mp3 6:04
(Walt Yost, tuba, Scheelar clarinet?)
Benvenue Ave.
Benvenue Ave.
Another 'Berkeley Jazz House' was 2910½ Benvenue Ave., which was for a while the home of Dick Oxtot. It was subsequently home to Bob Mielke and family for about fifteen years, then Ray Skjelbred and wife.
It was eventually purchased by their friend, Oscar Anderson.
Erickson's Blake Street Victorian Jazz house
Mentioned in Jim Leigh’s
jazz memoir, Heaven on the Side, the best-known Berkeley Jazz house may have been the large Victorian rented by Bill Erickson on Blake Street. The music parties often overflowed from the living room, kitchen, and back yard, to the neighboring home of Chick Kallenbach and wife.
Resident Dave Greer's tapes, below, transmit the quality of the music and personnel, and effervescence of the parties. In the early Sixties the Jazz house on Blake St. was torn down, though other places served the same function.
My great thanks to Dave Greer for access to his personal tape collection.
ARCHIVE INTERVIEW
Dave Greer recalls the Jazz house
Jazz House parties
The Nude Party at Jazz house
Lifelong journalist and revival-jazz enthusiast, Dave Greer, lived in one of the two neighboring houses on Blake St. with Bill Erickson where parties took place in the late 1950s.
His recollections and fascinating tape collection are the keys to unlocking this long forgotten tale.
“I took to calling the place the Jazz House, this was the party place. It was big and it had a big back yard. There was another Victorian very much like it across Blake Street, and we used to have wonderful big parties that would involve both these houses. Sometimes we would have a band playing in the front room, in the big kitchen, and in the back yard. Then we’d spread across the street. They’d begin about 2:00 in the afternoon, and get rolling; they’d roll right through midnight into the morning hours.
They were really amazing events. Many Bay Area musicians and most of the East Bay jazz crowd were there: <I>Bob Mielke</I>, <I>Erickson</I>, <I>P.T. Stanton</I>, Pete Allen. <I>Oxtot</I> lived a block over on Dwight, and <I>Frank Goudie</I> was there a good deal. They were the regulars.
These were big and very jolly events. The women would cook up red beans and rice or spaghetti and meatballs, some kind of mass feeding, and big bowls of salad. We drank dollar-a-gallon Sergeant burgundy, which wasn’t as bad as it sounds. We had many wonderful jazz sessions there.”
These performances contain numerous technical
and musical flaws. Taped at parties and jam sessions, and lacking
complete documentation, they are presented here as historic artifacts.
ARCHIVE MUSIC
Chick’s Party September, 1960
Ray Ronnei (cornet)
Frank Goudie (clarinet)
Bardin or Mielke (trombone)
Dick Oxtot (banjo)
Bill Erickson (piano)
Just a Little While to Stay.mp3 (6:20)
Just Because.mp3 (5:24)
Under the Bamboo Tree.mp3 (4:25)
See See Rider.mp3 (6:57) Goudie, sub: PT Stanton, trombone, washboard, piano, banjo
sub: PT Stanton (cornet), add bass and drums:
Coquette.mp3 (6:14)
I’m Forever Blowing Bubbles.mp3 (6:06, dropout at 2:50)
Blues.mp3 (5:45)
Them There Eyes_B.mp3 (Goudie with rhythm)
Sweet Jennie Lee.mp3 (distortion in first 1:20)
Say Si, Si.mp3
ARCHIVE MUSIC
CHICK’S PARTY (2) April 21, 1961
Swing session; messy in places.
Trumpet unknown (Byron Berry?)
Frank Goudie and Bill Napier (clarinets)
Tenor sax (Dave Clarkson?)
Trombone probably Bob Mielke
Bill Erickson (piano)
Guitar, bass, drums
Avalon.mp3 (11:56)
Love Nest.mp3 (11:34)
Stumbling.mp3 (7:36)
(Goudie & Napier?, piano & bass)
ARCHIVE MUSIC
Chicks Party (3) Summer, 1961
collective personnel:
Earl Scheelar or P.T. Stanton (cornets)
Frank Goudie and Bill Napier (clarinets)
probably Bob Mielke
probably Dick Oxtot (banjo)
probably Pete Allen (string bass)
probably Bill Erickson (piano)
Brett Runkle (washboard)
You Always Hurt the One You Love.mp3 7:17 Scheelar, Napier, solo & Goudie 2nd clarinet
clarinets and trombone out, not Pete Allen (bass):
Beale St Mama.mp3 3:08 Scheelar (cornet), Runkle washboard
Of All the Wrongs.mp3 6:11 Scheelar and unknown 2nd horn, guitar
PT Stanton (cornet), Goudie and Napier (clarinets):
Should I?.mp3 6:34 Mielke (tbn), bass, bjo, bass, no piano
Sweet Jennie Lee.mp3 7:50 PT Stanton, Napier and Goudie solo
Earl Scheelar (cornet), Goudie out, probably Napier and unknown 2nd clarinet, Pete Allen (bass):
Mama’s Gone Goodbye.mp3 8:23 Scheelar, 2 clarinets, Pete Allen, bass)
Thanks to Earl Scheelar for assistance.
From these party tapes Earl and I have selected tunes that represents his early years as a musician
still developing his craft, chops and style.
Made over a half century ago at parties and jam sessions
these tapes are presented as historic artifacts despite flaws, missed notes or
technical shortcomings.
ARCHIVE MUSIC
Last Jazz House Party
<I>Earl Scheelar</I> (cornet)
Trombone possibly Jim Leigh or Bob Mielke
Clarinet, tuba, drums
Excellent cornet playing by Scheelar:
I Ain’t Gonna Give Nobody None of My Jelly Roll.mp3 (incomplete)
Wild Man Blues.mp3 (5:49)
Photographed a few years later,
L to R: Dick Oxtot (banjo), Earl Scheelar (cornet), Pete Allen (string bass) were all denizens of the Berkeley jazz parties.
Photo: <I>SFTJF</I>
Foreground, L to R:
<I>Bob Mielke</I> (trombone)
<I>Bill Erickson</I> (trumpet)
<I>Bill Napier</I> (clarinet)
Photo: Mielke collection
Related LINKS (this site):
Dick Oxtot
Earl Scheelar
Nod's Taproom
Frank Goudie
Lark's Club tapes
Monkey Inn tapes
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